Lecture by prof. Seth Stewart Williams (Columbia University).
Date: Wednesday, 16 October 2019, 4-5 PM.
Location: Plateau-room, Jozef Plateaustraat 22, Ghent
This talk explores how politicized choreographic material from seventeenth-century masques and plays circulated beyond courts and theaters in manuscript verse miscellanies and printed music. It argues that as the textual ephemera of theater culture reached rural communities, where it was reanimated in household performances, it cultivated sensorial political affiliations during the very decades when England’s factions crystallized into its first political parties.
Seth Stewart Williams is assistant professor in the Department of Dance at Barnard College of Columbia University, and affiliate faculty of the Barnard English Department and the Columbia PhD Program in Theatre and Performance. His research focuses on the interrelation of dance and literature, especially in the sixteenth and seventeenth centuries. He was a 2019 Scholar-in-Residence at the Jacob’s Pillow Dance Festival, and is at present a Long-Term Fellow of the Folger Shakespeare Library. He received his PhD in English literature from Columbia in 2017. In an earlier performance career, he appeared with the dance companies of Seán Curran, Donald McKayle, Mark Morris, and with the New York Baroque Dance Company.
This lecture is organised by THALIA (Interplay of Theatre, Literature & Media in Performance), Literary Studies Department (English) and GEMS (Group for Early Modern Studies)
Illustration: David Vinckboons, De buitenpartij (ca. 1610). Holding Institution: Rijksmuseum, Amsterdam