To kick off a whole new year of GEMS in portraits we sat down with Astrid Van Assche, doctoral researcher at the department of French Literature. Astrid’s PhD focusses on the early seventeenth-century salon culture and studies the gallant letters circulating in the Parisian Hôtel de Rambouillet. This subject is a continuation of research she conducted in her bachelor’s and master’s dissertations. After graduating in 2013 as a Master of Linguistics and Literature (French-Dutch), Astrid continued studying at Ghent University to obtain her teacher training degree. In 2014 her PhD proposal was accredited with a BOF scholarship.
Our next interviewee is Stijn Bussels. After obtaining his MA in theatre studies at Ghent University, Stijn wrote a PhD that he reworked and published as The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodolpi, 2012). His postdoctoral research resulted in The Animated Image. Roman Theory on Naturalism, Vividness and Divine Power (Akademie Verlag/LUP, 2012). Stijn is currently affiliated to the University of Leiden as an assistant professor, and is also leading the ERC project Elevated Minds. The sublime in the public arts in seventeenth-century Paris and Amsterdam. He has published widely on theatre and spectacle in the early modern Netherlands.
Our second portrait is that of Koenraad Jonckheere, professor of Art History at Ghent University. Koenraad has published widely on a variety of subjects, and is currently writing a book on the Quaestio concept. Next to his academic career, Koenraad is active as a curator for exhibitions and is the director of publications at the Centrum Rubenianum, a research institute for Flemish art in the 16th and 17th centuries.