The first GEMS in portraits of 2018 is with Nele De Raedt, assistant and doctoral researcher at the Department of Architecture and Urban Planning. Nele is now in the final phase of her PhD, writing a dissertation on palace architecture in fifteenth-century Italy under the supervision of Maarten Delbeke and Anne-Françoise Morel. More specifically, the focus of her project concerns practices of violence (defilement, confiscation, destruction) of these palaces, as well as the possible interactions between this culture of violence against buildings and contemporary architectural theory. From January 2015 to June 2016, Nele worked as a research fellow at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut in the research group on Ethics and Architecture. At Ghent University, she enjoys the combination of research and teaching. Recently, she also taught a course in art history as a guest teacher at the KASK School of Fine Arts.
For our autumn interview, GEMS had the chance to talk with Youri Desplenter. Although in fact a medievalist, he is closely involved with GEMS because of the intricate connection between the two periods. Youri’s specialty is Middle Dutch religious and moral-didactic literature, and the relation between vernacular and Latin literature in the Middle Ages. After finishing his dissertation on the translations of Latin hymns and sequences, he did a postdoctoral research on the translations of the Psalms, and on the writings of Jan van Leeuwen († 1378). As a professor of Dutch medieval literature, Youri is also a popular teacher.
To kick off a whole new year of GEMS in portraits we sat down with Astrid Van Assche, doctoral researcher at the department of French Literature. Astrid’s PhD focusses on the early seventeenth-century salon culture and studies the gallant letters circulating in the Parisian Hôtel de Rambouillet. This subject is a continuation of research she conducted in her bachelor’s and master’s dissertations. After graduating in 2013 as a Master of Linguistics and Literature (French-Dutch), Astrid continued studying at Ghent University to obtain her teacher training degree. In 2014 her PhD proposal was accredited with a BOF scholarship.
Our next interviewee is Stijn Bussels. After obtaining his MA in theatre studies at Ghent University, Stijn wrote a PhD that he reworked and published as The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodolpi, 2012). His postdoctoral research resulted in The Animated Image. Roman Theory on Naturalism, Vividness and Divine Power (Akademie Verlag/LUP, 2012). Stijn is currently affiliated to the University of Leiden as an assistant professor, and is also leading the ERC project Elevated Minds. The sublime in the public arts in seventeenth-century Paris and Amsterdam. He has published widely on theatre and spectacle in the early modern Netherlands.
Our second portrait is that of Koenraad Jonckheere, professor of Art History at Ghent University. Koenraad has published widely on a variety of subjects, and is currently writing a book on the Quaestio concept. Next to his academic career, Koenraad is active as a curator for exhibitions and is the director of publications at the Centrum Rubenianum, a research institute for Flemish art in the 16th and 17th centuries.