International Conference: “Coordinating the Two Books”

2BOOKS Poster DEF

This conference examines the configuration of confessional interests and epistemic concerns at the interface of hermeneutics and science. Current historiography does not appreciate early modern Catholic endeavours in generating knowledge about the Book of Nature and the Word of God in their own right. At best, they tend to be regarded as a stepping stone to the ‘real thing’, the Protestant study of nature as an act of devotion to God. It is high time to re-integrate early modern Catholic intellectual output in the received history of ways of managing religious and natural knowledge. This conference aims to contribute to studying Catholic’s proper trajectory in aligning natural enquiry and textual authority.

Programme

22 Nov.
9h00 all welcome at KANTL
(Koningstraat 18, Ghent)
9h15 Steven Vanden Broecke
‘Introduction’
9h30 Dario Tessicini
‘The Comet and the Plague:
Catholic Astrology, Meteorology and Medicine in Early Modern Venice’
10h00 Steve Matthews
‘The Jesuits, Biblical Hermeneutics, and the Scientific Revolution’
10h30 discussion
11h00 coffee break
11h30 Jonathan Regier
‘On Providence and Natural Cause:
Reading Cardano with the Roman Inquisition’
12h00 Anthony Ossa Richardson
‘Mersenne’s Two Books’
12h30 discussion
13h00 lunch
14h30 Eric Jorink
‘Reading the Book of Nature with Cartesian Glasses:
the Cases of Johannes Swammerdam and Nicolaus Steno’
15h00 Thomas Leinkauf
‘The “Book of Nature” and strategies of persuasion’
15h30 discussion
16h00 coffee break
16h30 KEY-NOTE:
Bernd Roling
‘Return From the Dead:
The Raising of Lazarus in Early Modern Biblical Commentaries and Natural Philosophy’
19h00 dinner
23 Nov.
9h00 all welcome at Sint-Baafshuis
(Biezekapelstraat 2, Ghent)
9h30 Jetze Touber
‘Slime of the Earth:
Biblical Contours of the Human Body as Microcosm in the Early 17th century’
10h00 Sietske Fransen
‘The Role of Catholicism in the Lives and Works of Father and Son Van Helmont’
10h30 discussion
11h00 coffee break
11h30 Steven Vanden Broecke
‘Belief, Piety and Erudition in Low Countries Baroque Science:
The Case of Govaert Wendelen (1580-1667)’
12h00 Florence Hsia
‘Biblical History and the Challenge of Chinese Astronomy’
12h30 discussion
14h00 lunch
14h30 Elena Rapetti
‘Reason in the limits of Faith:
Pierre-Daniel Huet, André Graindorge, and the making of science at the Académie de physique de Caen
15h00 Scott Mandelbrote
‘Newtonian philology:
Co-ordinating the two books in early eighteenth-century Europe’
15h30 discussion
16h00 coffee break
Jetze Touber
‘Concluding Discussion’

Organized by Jetze Touber and Steven Vanden Broecke (History Department, Ghent University), in conjunction with the IEMH.

To register, please contact Jetze Touber at jetze.touber@ugent.be.

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I@H Digitizing Humanities lecture on Tudor Networks of Power

On Wednesday 7 November from 3-5pm, guest speaker Dr. Ruth Ahnert, Senior Lecturer at the Queen Mary University of London will give the second lecture of the I@H lecture series on Digitizing the Humanities: Tudor Networks of Power.

Location: Faculteitsbibliotheek in the Library Lab II Mangel Wing, Rozier 44.

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Dr. Ahnert’s research employs digital methods from the field of Complex Networks to study Tudor letters. By examining the structure of the social networks of sixteenth-century correspondents, she manages to recuperate the roles of people who tend to be ignored in more traditional historical research. A famous writer or politician might have caught the headlines with a book or argument, but it often took a range of facilitators to keep the message alive. Students will learn about network analysis and see that through this method, scholars of Humanities can gain insights into complex relational processes. The approach that Dr. Ahnert will discuss in her talk is applicable for literary studies – (re)mapping actors/characters, relations to explain power through texts.

This lecture is in English. Registration is required: https://webappsx.ugent.be/eventManager/events/IatHDHlecture. Andhttps://www.facebook.com/events/2219411448299891/.

The I@H Digitizing the Humanities lecture series is targeted to all students, and staff of UGent from bachelor and masters students, PhD candidates, researchers, professors, and support staff. The goal of the lecture series is to raise awareness of the state-of-the-art digital methods currently being used and developed by humanities scholars and empower researchers to put these to work themselves. With the financial support of I@H. Please see: https://www.ghentcdh.ugent.be/content/digitising-humanities-internationalisation-home-ih-lecture-series for more information.

International conference Law & order. The role of the institutions in creating the legislation in the Low Countries (1500­‐1700s)

law and order

The international conference Law & order. The role of the institutions in creating the legislation in the Low Countries (1500-1700) will take place in Brussels on Thursday, October 18th, 2018. Please find the PDF with additional information here. The conference is co-organised by GEMS member Annemieke Romein. It is a one-day workshop that aims at shedding light on a phenomenon that is crucial for the early modern period but has remained poorly studied. This day will unite researchers from both Belgium and the Netherlands.

 

PhD defense Delphine Calle

On Tuesday 21 August, GEMS member Delphine Calle will defend her doctoral thesis “Amour et applaudissements. La passion amoureuse, ses pièges et son succès dans les tragédies de Racine”. The defense starts at 1pm and will take place in Het Pand (room August Vermeylen). Please confirm your attendance to the reception afterwards (around 3pm) via this link.

Racine_-_Bérénice_Act5_sc7_1676_-_césar

Studying Past and Present Performances

On May 17th and 18th, professor Philip Auslander (Georgia Institute of Technology) was invited as a lecturer at the Doctoral Schools specialist course Studying Past and Present Performances. Find more information about it here. The course was organised and moderated by GEMS-member Kornee van der Haven and Katharina Pewny (THALIA), in cooperation with Tessa Vannieuwenhuyze (UGent/VUB), Sarah Adams (UGent) and Yannice De Bruyn (UGent). The participants to the course formed a very diverse group, whose research interests ranged from performance and theatre studies to conflict and development. At the initiative of Eun Kyoung Shin (UGent), the course was concluded with a group picture, that we are happy to share here. From left to right on the upper row: Kornee van der Haven, Katharina Pewny, Antia Díaz Otero (ULB), Lucas Trouillard (ULB), Kelsey Onderdijk (UGent), Sophie van den Berg (UGent), Sarah Adams, Jeroen Billiet (HoGent), Renée Vulto (UGent), Sreya Dutt (UGent), Tan Tan (Sun Weiwei) (UGent), Julian Kuttig (UGent). From left to right on the lower row: Eun Kyoung Shin, Caterina Mora (A.PASS), Yannice De Bruyn, Philip Auslander, Lieze Roels (UAntwerpen), Tessa Vannieuwenhuyze.

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GEMS Research Day 31 May: save the date!

On Thursday 31 May, GEMS will organise a research day. In the morning we will have a workshop for PhD students. In the afternoon there will be an interview with Kate Belsey about the state of scholarship in 2018, and a panel debate about publishing strategies.

More information will follow soon!

The Fame: Performance Art and Celebrity Culture. Lecture by Philip Auslander on May 16th

Because the number of seats is limited, we ask people who want to attend the lecture to register on the following email address: gems_ugent@yahoo.com.

GEMS, THALIA and the Doctoral School of Arts will be organizing a lecture with professor Dr. Philip Auslander, a renowned scholar in the field of media and performance studies. He will discuss performance art and its interconnection with the current surge of celebrity culture. Recent years have seen the incursion of the culture of celebrity into performance art, both in the sense that celebrities from other fields such as music and film are undertaking performance works, and in the sense that performance art has become a platform for the development of a celebrity identity, as in the case of Serbian artist Marina Abramović. In his lecture, professor Auslander will discuss the role of museums in promulgating celebrity and the antagonism toward them from art critics, as well as the structural similarities between the respective relationships between celebrities and their public, and performance artists and their audiences. These similarities can be organized around concepts of representation, originality and narrative, among others.

The lecture will take place on Wednesday 16th of May 2018 at 7pm.

Jozef Plateauzaal, entrance Plateaustraat 22, 9000 Ghent.

BIOGRAPHY

Professor Dr. Philip Auslander teaches at the school of Literature, Media and Communication Georgia Institute of Technology where he has been a professor since 1999. In the last decennia, he has published extensively in the field of performance studies, including two of his most influential books Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and Liveness: Performance in a Mediatized Culture (2008). Currently he is preparing a new book that will be published in 2018 Reactivations: Essays on Performance and its Documentation.

Exhibition Call for Justice, Art and Law in the Netherlands (1540-1650)

For the past few years, GEMS member Samuel Mareel has taken on the role of curator for the exhibition Call for Justice, Art and Law in the Netherlands (1540-1650). He worked together with Manfred Sellink and Elsje Janssen. The expo is held in the new museum Hof van Busleyden in Mechelen, a sixteenth-century Burgundian palace thScreen Shot 2018-04-19 at 12.35.35.pngat was restored recently for this purpose. Call for Justice is open from 23 March until 26 June 2018.

The exhibition highlights the rich and fascinating interaction between art, law and justice in the Netherlands from the 15th to the 17th century. In turbulent political and religious times, central institutions such as the Great Council of Mechelen gradually came to exercise more control over the legal process. While the administration of justice became more professional, it also became more unwieldy and less accessible. So it is no coincidence that justice and its administration feature as one of the most prominent themes in the art of the Low Countries in this period.

The exhibition builds on three central themes: justice, jurisprudence and injustice. You will discover prestigious masterpieces by artists such as Quentin Massys, Maarten van Heemskerck, Peter Brueghel the Elder, Maarten de Vos, Peter Paul Rubens, Antoon van Dyck and Philippe de Champaigne. Call for Justice examines the legal, historical and cultural context in which these works were created, gradually revealing one of the most universal human desires, namely the pursuit of justice and the complexity when it comes face-to-face with reality.

Some of the most prestigious museums in the world have loaned works for this exhibition. They include the Prado and the Patrimonio Nacional in Madrid, the Gemäldegalerie in Berlin, the Ashmolean Museum in Oxford as well as national and international private collections. Call for Justice is the closing event of the OP.RECHT.MECHELEN city festival.

https://www.oprechtmechelen.be/en/programma/call-justice
https://www.hofvanbusleyden.be/

Workshop theatre historiography

GEMS and THALIA would like to inform you of the following workshop, which is organised by members Kornee van der Haven, Sarah Adams and Yannice De Bruyn:

On 13 October 2017 we organize a workshop on theatre historiography in Amsterdam (UvA). Our primary aim is to offer PhD students working on historical theatre and performance a platform to discuss methodological difficulties they encounter in their research. It is a perfect occasion for peer discussion and feedback from more experienced scholars and dramaturgs. By means of introduction, Imre Bésanger (Theater Kwast) will outline his approach to methodology in his work with historical theatre texts. Kornee van der Haven (UGent) will moderate a discussion of Erika Fischer-Lichte’s views on theatre historiography.

Please find the (Dutch) program hereSarah Adams can provide you with more information and/or register your participation.

The image is a 3D visualisation of the Tapissiers theatre in Antwerp (1711) © Timothy De Paepe, 2007-2017.