GEMS Seminar: Atelier with Jürgen Pieters & Ruben Celani

Time: 21 November 2018, 2-4 pm
Place: Faculty Library Arts and Philosophy, Magnel wing, Room “Freddy Mortier”

Jürgen Pieters (UGent)
Literature and consolation: fictions of comfort

Rijksmuseum Een lezende man anon. 1660

In my talk, I would like to present the outline of a book project that I have submitted with Edinburgh University Press. I will focus on the conceptual framework of the book, in which I hope to correlate a contemporary concern with the pragmatics of literary reading (‘bibliotherapy’, and the often voiced idea that books are there to bring comfort) with a historical analysis of this age-old critical topos.

Image reference: Anonymous, A man reading, c. 1660. Canvas. Holding institution: Rijksmuseum, Amsterdam.

Ruben Celani (UGent)
Fashioning personae in 16th century books of secrets

The production of the so-called books of secrets (collections of recipes on a wide range of technical subjects, but especially on practical medicine) was not a complete novelty to the 16th century Italian book market: but it was only after the publication of the Secreti del reverendo Donno Alessio Piemontese (1555), that it became one of the most popular genres in the late Renaissance. One of the factors that undoubtedly contributed to this success was the keen use of rhetorical and marketing strategies: among those, a prominent position has to be assigned to the fashioning of appealing personae. After briefly considering the multiple meanings of this word and its connections with the concept of authority, my talk will focus on which personae were fashioned in the most widespread Italian books of secrets, and especially on the strategies adopted in order to craft them, providing examples from the texts considered.

Image reference (left): Portrait of Leonardo FioravantiEngraving from his Tesoro della vita humana (Venice, heirs of Melchior Sessa, 1570).
Image reference (right): Niccolò Nelli, Portrait of Girolamo Ruscelli, 1566. Engraving.

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GEMS Seminar: Atelier with Fabio della Schiava and Kevin Dekoster

Time: Thursday, 25 October (10-12 AM)

Location: Faculty Library Arts and Philosophy, Magnel wing, Room “Freddy Mortier”.

Fabio della Schiava (UGent / KU Leuven)
Toward a critical edition of Biondo Flavio’s Roma instaurata.  

Published in 1446 by Biondo Flavio, one of the most distinguished historians of the Italian Quattrocento, Roma instaurata is an account in Latin of the archeological remains of ancient and christian Rome. Because of its centrality both for scholars of Humanism and Archeology, Roma instaurata has been repeatedly published between the Fifteenth and the Twenty-first century but still lacks a critical edition able to provide the reader with a reliable text and a better knowledge of Biondo’s antiquarian methodology. This edition has been now partially accomplished thanks to a 3 years project sponsored by the Deutsche Forschungsgemeinschaft and undertaken at Bonn University. The paper aims to share the results of this research with a focus on the philological problems which have been encountered and the applied methodology to solve them. 

Kevin Dekoster (UGent)
From Dissecting Table to Courtroom. The Professionalisation of Medico-Legal Expertise in the Early Modern County of Flanders (16th-18th Centuries)

Thanks to figures such as Andreas Vesalius and Jan Palfijn, scholars of the early modern Habsburg Netherlands can justifiably claim an important role for this region in the historiography on the professionalisation of medicine. However, the development of medical expertise within a forensic context remains largely unknown terrain. Taking the County of Flanders as its geographical focus, this research project aims to analyse and explain quantitative and qualitative developments in the importance of medico-legal expertise to the functioning of early modern systems of criminal justice. This objective will primarily be achieved by a study of the form and content of autopsy and other medico-legal reports produced by medical experts, such as surgeons and physicians, who were consulted by law courts and other representatives of early modern governmental power. In order to present an analysis that is as multi-faceted and nuanced as possible, evidence from a wide range of legal bodies at different institutional levels (provincial versus local) and with varying territorial jurisdictions (urban versus rural) will be considered.

Image reference: Joos De Damhouder, Pracktycke in criminele saken, seer nut ende profijtelijck allen souverains, bailjous, borgemeesters, ende schepenen etc., Rotterdam, Pieter van Waesberge, 1650. This is the only iconographical representation of a judicial autopsy, that the speaker could find for the Netherlands so far.

GEMS Seminar: Atelier with with Renée Vulto and Fabio della Schiava (25 January, 10-12 AM)

Thursday, 25 January, 10-12 AM, Faculty Library Arts and Philosophy, Magnel wing, Room “Freddy Mortier”.

Fabio della Schiava (UGent / KU Leuven): Toward a critical edition of Biondo Flavio’s Roma instaurata. 

Published in 1446 by Biondo Flavio, one of the most distinguished historians of the Italian Quattrocento, Roma instaurata is an account in Latin of the archeological remains of ancient and christian Rome. Because of its centrality both for scholars of Humanism and Archeology, Roma instaurata has been repeatedly published between the Fifteenth and the Twenty-first century but still lacks a critical edition able to provide the reader with a reliable text and a better knowledge of Biondo’s antiquarian methodology. This edition has been now partially accomplished thanks to a 3 years project sponsored by the Deutsche Forschungsgemeinschaft and undertaken at Bonn University. The paper aims to share the results of this research with a focus on the philological problems which have been encountered and the applied methodology to solve them.

Renée Vulto (UGent): Singing Communities – Dutch political songs and the performance of national identity (1775-1825)

This PhD project investigates how songs can have contributed to the development of a national consciousness in the Northern Netherlands in the late 18th and early 19th centuries. At this time, national thinking just began to develop and was particularly hard to define in a culturally fragmented region like the Netherlands that went through severe economic, political and social crisis. Songs were in Early Modern discourse seen as effective tools to strengthen the formation of collective identities. Therefore, they are in this research not considered as mere textual and musical representations of an ideology, but as scripts for performance that produce collective identification. The focus is on the possible tensions between songs as attempts to create feelings of national belonging and unity on the one hand, and the realization of these aims in the harsh reality of political and social instability.

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GEMS-Seminars

The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. In the schedule on our website (gemsugent.wordpress.com) you will find two categories of these meetings. First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have two meetings with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work (Inspired by…). GEMS-members do not need to register for the seminars. Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reserved rooms).

Audio recording of the Atelier with Frans-Willem Korsten (2017-10-20)

 

On October 20th, Frans-Willem Korsten was invited by GEMS to present his upcoming book, A Dutch Republican Baroque. In an interview by Jürgen Pieters, the author discussed some of the key issues raised in his thought-provoking book, after which the audience was invited to join the discussion. If you click here, you will be redirected to an audio recording of the entire Atelier (1.30h). Around the end, Frans-Willem showed a small fragment of one of Maradona’s famous goals to illustrate his understanding of the concept ‘dramatic moment.’

 

GEMS Seminar: Atelier with Frans-Willem Korsten (Leiden University)

Friday 20 October, 3-5 PM, 110.028 (Blandijnberg 2, Gent)

During this Atelier, Frans-Willem Korsten will present his new book A Dutch Republican Baroque (Amsterdam UP). After a short introduction about this new publication and how it came into being, the author will be interviewed by Jürgen Pieters, to discuss some of the key issues raised in his thought-provoking book, after which the audience will be invited to join the discussion.

In his book, Frans-Willem Korsten shows how in Baroque forms of art of the Dutch Republic, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic.

GEMS-Seminars
The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. In the schedule on our website (gemsugent.wordpress.com) you will find two categories of these meetings. First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have two meetings with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work (Inspired by…).

Seminar (Atelier) May 17th – Jetze Touber and Tim Vergeer

Wednesday, May 17th, 2017, 1-3 PM. Faculty Library Arts & Philosophy, Magnel-wing, Room “Freddy Mortier”

Jetze Touber – Body stones in early modern culture

In this presentation I will discuss my research project on the early modern perception of stones growing inside the human body: the kidneys, bladder and gall bladder. The project investigates how such body stones were marked as divine or natural, organic or inorganic, meaningful or senseless objects between the late sixteenth and the early eighteenth centuries, a period of profound changes both in medicine, natural philosophy, and religion.

Tim Vergeer – Passion without restraint: Emotions in Hispano-Dutch theatre in the seventeenth century

In the seventeenth century, Spanish imported theatre was especially popular. The question is why? Unlike plays by the established playwrights Vondel, Hooft and Bredero, the Spanish repertoire was interspersed with turbulent emotions, or so-called ‘woelingen’. Spanish plays meant a refuge from an emotional repressive regime: the neo-stoic philosophy of Justus Lipsius and his students.

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GEMS-members do not need to register for this meeting. Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reserved rooms).

Seminar (Atelier) April 19th – Youri Desplenter and Thomas Van der Goten

Wednesday, April 19th, 2017, 2-4 PM. Faculty Library Arts & Philosophy, Magnel-wing, Room “Freddy Mortier”

Youri Desplenter – Dutch Bible Translations in the Manuscript Era: Provenance and Structures of Dissemination

From the Middle Dutch manuscripts with bible translations, we learn that these texts were not just translated ‘somewhere’, and then distributed and copied. Almost every single time such a translation was ‘copied’, it was revised, often to such an extent that it becomes unclear if we have to consider the new ‘copy’ as a textual witness of the old version, or as a new translation. To understand this way of handing down Middle Dutch bible translations, we need to have insight into the dynamics which influenced these texts. In this presentation, I will try to establish which were the centers where biblical texts were translated, when these were active, and who in other words determined who used which translation. As these centers have been coming to the surface only recently, the overall patterns – unlike those of printed bible translations – have not been clear until now.

 Thomas Van der Goten – A Revisionist, Genre-Theoretical and Historical Study of the British Ode in the Long Eighteenth Century, 1680-1830

In his presentation, Thomas will explore some of the outcomes of his current research project, which aims to produce a revisionist, genre-theoretical study of the British ode in the eighteenth century. Promoting an inclusive, quantitative as well as qualitative examination of canonical and non-canonical odes, the project seeks to offer a nuanced account of the range and variety of the genre, its engagement with literary tradition, and its place in the proliferating market for printed poetry.

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GEMS-members do not need to register for this meeting. Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reserved rooms).

January 30, 2013: GEMS Atelier with Stijn Bussels

Op 1 februari start Stijn Bussels aan de Universiteit Leiden het project Elevated Minds (ERC starting grant). Centraal staat het concept van het sublieme in het zeventiende-eeuwse Parijs en Amsterdam. Meer specifiek kijkt het project naar hoe het sublieme terug te vinden is als richtlijn bij de conceptie en perceptie van theater en architectuur. Longinus’ traktaat Peri hupsous vormt hiervoor een leidraad, maar andere invloeden, zoals die van Seneca en Lucretius, zullen eveneens worden onderzocht. Voor het GEMS-seminarie zal hij meer toelichting geven bij de plannen voor dit project, alsook de totstandkoming toelichten aan de hand van de inleiding van zijn nieuwe boek The Animated Image.