Dante Workshop (UGent, 13-14 May 2019)

Location: UGent, Campus Boekentoren (Blandijnberg 2, 9000 – Ghent, Belgium)

Free entrance

Organizers: prof. Teodoro Katinis (UGent; SDA Gent), prof. Wim Verbaal (UGent), prof. Bart van den Bossche (KU Leuven), prof. Andrea Robiglio (KU Leuven).

Research groups: GEMS (Group for Early Modern Studies), HPIMS (Henri Pirenne Institute for Medieval Studies).

Participants: prof. Paolo Borsa (University of Milan), prof. Valerio Cappozzo (University of Mississipi), prof. Teodoro Katinis (UGent, SDA Gent), prof. Wim Verbaal (UGent), prof. Bart van den Bossche (KU Leuven), prof. Andrea Robiglio (KU Leuven), colleagues of the GEMS and the HPIMS, PhD students, students of the course LKV.

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Program

13/5: Room 120.036

h15-17: Dante Alighieri between Latin and the Vernacular, in English.

Moderators: Wim Verbaal and Andrea Robiglio.

Prof. Paolo Borsa and prof. Valerio Cappozzo will circulate in advance their materials to feed the discussion: published articles and current projects with specific regards to Dante’s poetry, the Stilnovo, and the interpretation of dreams in the Middle Ages.

h17: coffee break and networking.

h18:30: dinner.

h20-22: prof. Valerio Cappozzo, L’interpretazione dei sogni da Dante ad oggi, in Italian for the Società Dante Alighieri – Gent (for a broad public).

 

14/5: Room 120.012

Morning: informal meetings with PhD students and colleagues to discuss future research opportunities (feel free to contact us if you are interested in meeting the speakers).

h16-19: Dante tra latino e volgare, in Italian.

Moderator: Teodoro Katinis.

Prof. Paolo Borsa e prof. Valerio Cappozzo, for the students of LKV. Articles and handouts will circulate in advance. External participants are welcome to join also this part of the workshop.

h20: dinner

 

Image reference: Luca Signorelli, Portrait of Dante (1500-1504 ca.). Fresco. Orvieto Cathedral, Chapel of St Britius.

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Call for Participation -Workshop Performance Historiography: Examining Past Performances from a Present-day Perspective

With Henry Turner (Rutgers University), Jane Davidson (University of Melbourne) and Morag Josephine Grant (University of Edinburgh).

Workshop for early career researchers on the theme of performance historiography,  organised by the interdisciplinary research groups THALIA (Ghent University and Free University of Brussels) and GEMS (Ghent University). The workshop aims to approach this theme from an interdisciplinary perspective, and to facilitate dialogue between young researchers and experts.

The workshop departs from the following: the existing body of literature on historical performance is rather anecdotal and tends to focus on written sources rather than examining past performances as experiences, or as events that had a bodily or an emotional impact. In the workshop, we intend to explore how contemporary theory can help us accessing past performances, and understand their function in their historical time and space. Examples of such performances are theatrical performances, music performances, rituals, religious processions, or political demonstrations, but also broader notions performance are welcome to be discussed.

During the two days, Henry Turner, Jane Davidson and Morag Josephine Grant will each give a lecture in which they discuss performance historiography from their area of expertise. The rest of the time is designated for research presentations by the participants and discussion. Prior to the workshop, participants will be asked to send in a short paper or statement, which will be sent to the lecturers so that they are able to address some relevant issues in their lectures.

Participants may be PhD candidates, postdoctoral researchers and advanced master students from various disciplines such as (but not limited to): theatre studies, musicology, literary studies, history, anthropology, etc. To subscribe to the workshop, please send a short note on how the theme of this workshop relates to your own research interests to renee.vulto@ugent.be by March 15th.
After you have been accepted, we will provide you with preparatory readings.  The papers/statements are due June 28th.

For questions, please contact renee.vulto@ugent.be.

Preliminary programme
Thursday, 12 September
10:00 – 10:30 arrival and welcome
10:30 – 11:30 lecture 1
11:30 – 12:30 discussion
12:30 – 13:30 lunch
13:30 – 14:30 lecture 2
14:30 – 15:30 discussion
15:30 – 16:45 coffee
15:45 – 18:00 presentations and discussion

Friday, 13 September
09:00 – 10:00 lecture 3
10:00 – 11:00 discussion
11:00 – 11:15 coffee
11:15 – 13:00 presentations and discussion
13:00 – 14:00 lunch
14:00 – 16:00 presentations and discussion
16:00 – 16:15 coffee
16:15 – 16:45 closing statements

GEMS feedback session on FWO PhD proposals

Workshop

Place: Blandijnberg 2, Grote Vergaderzaal (3rd floor)

Date: 6 February 2019, 14:00-16:00

Writer

​On Wednesday, February 6th, there will be a feedback session between 2 and 4 PM for students who are preparing an application of a FWO PhD fellowship. The session will take place in the Grote Vergaderzaal (Blandijnberg 2, 3rd floor).

Students who may be interested to get feedback from GEMS members on their proposal should send their drafts to: Cornelis.vanderHaven@UGent.be, before February 1st.

 

Image reference: Schrijvende boer, Cornelis Dusart, 1670 – 1704. Holding institution: Rijksmuseum, Amsterdam.

Workshop theatre historiography

GEMS and THALIA would like to inform you of the following workshop, which is organised by members Kornee van der Haven, Sarah Adams and Yannice De Bruyn:

On 13 October 2017 we organize a workshop on theatre historiography in Amsterdam (UvA). Our primary aim is to offer PhD students working on historical theatre and performance a platform to discuss methodological difficulties they encounter in their research. It is a perfect occasion for peer discussion and feedback from more experienced scholars and dramaturgs. By means of introduction, Imre Bésanger (Theater Kwast) will outline his approach to methodology in his work with historical theatre texts. Kornee van der Haven (UGent) will moderate a discussion of Erika Fischer-Lichte’s views on theatre historiography.

Please find the (Dutch) program hereSarah Adams can provide you with more information and/or register your participation.

The image is a 3D visualisation of the Tapissiers theatre in Antwerp (1711) © Timothy De Paepe, 2007-2017.

 

Workshop Techniques of Theatre and: Theatre as a Technique

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On March 22nd, 2017 THALIA, GEMS, and the research group ITEMP organise the workshop  ‘Techniques of Theatre and: Theatre as a Technique’. It is intended for pre-docs, PhD’s and post-docs, especially in the field of theatre studies and theatre history.

The full-day programme consists of two parts. During the morning session we will focus on methodological issues brought forth by theatrical case studies. How to interpret primary sources and how to deal with lacunas in our research about theatre and/or theatrical events in history? The afternoon session will concentrate on theatre as a technique for knowledge production. Which techniques are used by the theatre to engender insight, from early modernity until the present? The entire programme can be consulted here: workshop-techniques-of-theatre-and-theatre-as-a-technique.

The teachers are Jan Lazardzig (UvA, Netherlands), Kurt Vanhoutte (University of Antwerp) and Karel Vanhaesebrouck (VUB/ULB/RITCS, Brussels). The workshop will take place in the ‘Library Lab’ of the Faculty Library Arts & Philosophy at Ghent University. Registration is still open, interested researchers can contact Yannice De Bruyn (Yannice.DeBruyn@ugent.be) for more information.