This spring, GEMS was more than happy to welcome Jonathan Regier as a new member. We seized the opportunity to ask him who inspires him and what drives him in his research. Jonathan did his PhD in history and philosophy of science at Université Paris Diderot, with a thesis titled Cause in Kepler’s Natural Philosophy. Afterwards, he joined Hong Kong University of Science and Technology as a post-doctoral fellow at their Institute for Advanced Study. In early 2017, he came to UGent with a BOF fellowship. He will begin an FWO fellowship in October 2017 at UGent, in the department of philosophy and moral sciences. His academic interests revolve around the mathematisation of natural philosophy in the sixteenth century.
In our March issue we sketch a portrait of our newest GEMS-member Teodoro Katinis. Teodoro holds a PhD in Italian (Johns Hopkins University) and philosophy (Università degli Studi Roma Tre), and is now a research professor of Italian Literature at Ghent University, where he aims to study vernacular medical texts of the 16th and 17th centuries. Teodoro has widely published on Renaissance culture and philosophy, the early modern dialogue, medical history and literature. He published his first monograph Medicina e filosofia in Marsilio Ficino: il Consilio contro la pestilentia in 2007 and is currently finishing a second book on the rebirth of sophistry in the Italian Renaissance.
To kick off a whole new year of GEMS in portraits we sat down with Astrid Van Assche, doctoral researcher at the department of French Literature. Astrid’s PhD focusses on the early seventeenth-century salon culture and studies the gallant letters circulating in the Parisian Hôtel de Rambouillet. This subject is a continuation of research she conducted in her bachelor’s and master’s dissertations. After graduating in 2013 as a Master of Linguistics and Literature (French-Dutch), Astrid continued studying at Ghent University to obtain her teacher training degree. In 2014 her PhD proposal was accredited with a BOF scholarship.
Our next interviewee is Stijn Bussels. After obtaining his MA in theatre studies at Ghent University, Stijn wrote a PhD that he reworked and published as The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodolpi, 2012). His postdoctoral research resulted in The Animated Image. Roman Theory on Naturalism, Vividness and Divine Power (Akademie Verlag/LUP, 2012). Stijn is currently affiliated to the University of Leiden as an assistant professor, and is also leading the ERC project Elevated Minds. The sublime in the public arts in seventeenth-century Paris and Amsterdam. He has published widely on theatre and spectacle in the early modern Netherlands.
For this first interview of the academic year, we chose to leave for the History Department to talk with professor Anne-Laure van Bruaene. Anne-Laure obtained her PhD in History with a dissertation on the chambers of rhetoric and urban culture in the Southern Netherlands (1400-1650). She now teaches (and has widely published on) early modern and urban history at Ghent University. She is part of the Belgian-Dutch interuniversity network “City and Society in the Low Countries (ca. 1200 – ca. 1850)”, a project which is now reaching its final research phase. In 2006 she was the laureate of the William Nelson Prize (Renaissance Society of America) for the best article in Renaissance Quarterly. One day back from her sabbatical, Anne-Laure sits lively at her desk when we enter to level our questions.
The third person we want to portray is Britt Dams. In February 2016, Britt obtained her doctoral degree with a dissertation on the description of Dutch Brazil (1624-1654). Currently, she is teaching a course on the history of Brazil at the Catholic University of Leuven. And in Ghent, Britt is still working as a French and Portuguese language instructor at the University Language Centre of Ghent University. Britt is a passionate storyteller, who knows just how to convince people to go travelling throughout Latin America.
Our second portrait is that of Koenraad Jonckheere, professor of Art History at Ghent University. Koenraad has published widely on a variety of subjects, and is currently writing a book on the Quaestio concept. Next to his academic career, Koenraad is active as a curator for exhibitions and is the director of publications at the Centrum Rubenianum, a research institute for Flemish art in the 16th and 17th centuries.
We start off with Alexander Roose, professor of French Literature at Ghent University. Alexander is the author of La curiosité de Montaigne, which was published very recently (Champion 2015). Another book on Montaigne is already in the making: Alexander’s De vrolijke wijsheid. Zoeken, denken, en leven met Montaigne comes out this winter (Polis). Also, from January 2016 on, the monologue ‘Montaigne’ that Alexander has written, will be staged in theatres throughout Belgium and the Netherlands.