GEMS in portraits: Teodoro Katinis


In our March issue we sketch a portrait of our newest GEMS-member Teodoro Katinis. Teodoro holds a PhD in Italian (Johns Hopkins University) and philosophy (Università degli Studi Roma Tre), and is now a research professor of Italian Literature at Ghent University, where he aims to study vernacular medical texts of the 16th and 17th centuries. Teodoro has widely published on Renaissance culture and philosophy, the early modern dialogue, medical history and literature. He published his first monograph Medicina e filosofia in Marsilio Ficino: il Consilio contro la pestilentia in 2007 and is currently finishing a second book on the rebirth of sophistry in the Italian Renaissance.


How did your interest for medical history and philosophy arise?

Although medicine is a recurring theme in my research, I would not be able to do the job of a physician or an exact scientist. Much more, my fascination concerns the relation between medicine, arts and language. I am interested in the human psyche and body, and more specifically in how they are represented in and go together with visual or expressive arts and philosophy. I was surprised to learn that my PhD research on medicine and philosophy in Marsilio Ficino’s work was one of the first studies on this humanist that combined the history of medicine, Italian literature and philosophy. Ficino’s advice against the plague (1481) is interesting not only from a philosophical-historical perspective. It is also important from a socio-historical perspective, because it was one of the first books printed in vernacular, thus attracting all social strata. My first monograph was a modern edition of this advice with an extensive introduction on the text (style and content) and its sources. I hope to publish an English revision in the future, and to dig deeper into the rhetoric that guaranteed this wide dissemination of medical knowledge.

Do you consider your research in general as interdisciplinary?

There is, of course, no fixed methodology (whatever works), yet my experience shows that interdisciplinary research is both productive and instructive. During my PhD research, I found myself working at the crossroads of philology, philosophy, (art) history, medical history of epidemics and even anthropology. However, I never asked myself which discipline my work was ‘most’ entitled to and this proved to be a fruitful way of doing research. Not only did I learn much about diverse academic fields, I also noticed that my monograph reached a broad audience of history scholars, scholars of medical history, Renaissance studies, philosophy, et cetera. I believe academics should always try to write for ‘everyone’ (as far as this is possible).

Have you ever experienced a ‘eureka moment’ during your research?

Absolutely! At John Hopkins University, I worked on the Renaissance dialogue (a very popular topic in the United States) and read Apologia dei dialoghi by Sperone Speroni (1500-1588), looking for a theory of dialogue. What I found instead, was a discussion about ancient sophists and their perspectives. That led me to explore further in this direction and to discover two of the most amazing texts I have ever read: Speroni’s In difesa dei sofisti (In Defense of Sophists) and Contra Socrate (Against Socrates). And that is when I cried ‘eureka’: Speroni was on the exact same line as Plato (4th century BC) and Nietzsche (1844-1900)! Speroni’s dialogues are an explicit rehabilitation of the platonic dialogues on the one hand, and, at the same time, reading Speroni is like ‘reading Nietzsche before Nietzsche’. Speroni’s attack on Socrates’ philosophy is the most striking part of my discovery. Scholars invariably believed that before Nietzsche no one had been brave enough to look at the points where Socrates might have been wrong. Now it seems that Speroni’s critique precedes Nietzsche’s and stands as the most explicit attempt to rehabilitate the ancient sophists since Antiquity.

What is the most inspiring (literary) study you have ever read? And the most recent one?

Cesare Pavese’s Dialoghi con Leucò (1947) is the most original and inspiring book I have ever read. The book is a reworking of Greek and sometimes Roman mythology, written in a personal way, but based on profound scholarly knowledge of the subject. It consists of very short enigmatic dialogues between mythological figures. Dialoghi con Leucò touches upon several aspects of life, such as aggressiveness, eros, pain, motherhood (also Freudian), the divine, morality, and so on. Pavese’s presentation and interpretation of classical myths becomes an essential tool to understand ourselves and society today. If I will ever write an unscholarly book, Pavese’s work will be my model.

More recently, I read Eric MacPhail’s The Sophistic Renaissance (Genève 2011), a study on the rebirth of sophistry in early modern Latin and French literature. I liked this study very much for two reasons. Firstly, it is the only book completely dedicated to this subject. It has become a standard work with good reason. Secondly, and strangely enough, the book was inspiring for its lack of vernacular Italian sophistic literature of the Renaissance. I now hope my own research could somehow complete Eric’s work. He is still working on the subject, and it is nice to have an interlocutor with whom I keep in touch. I invited him as a keynote speaker for the conference The Sophistic Renaissance: Authors, Texts, Interpretations that I organised in Venice (September 26, 2015), for instance. That conference also attracted Master students. With one of them I have just submitted an FWO-proposal, hoping to open a new path of research in this field.

About the image:
One of the characters in Cesare Pavese’s Dialoghi con Leucò (1947) is Odysseus. Teodoro Katinis attests that the mythical figure Odysseus somehow reflects several aspects of his research and personal life, including travelling, both intellectually and materially. This is a statue from the villa of Tiberius at Sperlonga, Italy (Museo Archeologico Nazionale).

By Sarah Adams

GEMS in portraits: Astrid Van Assche


Portrait of Julie d’Angennes by Claude Deruet, 1630

To kick off a whole new year of GEMS in portraits we sat down with Astrid Van Assche, doctoral researcher at the department of French Literature. Astrid’s PhD focusses on the early seventeenth-century salon culture and studies the gallant letters circulating in the Parisian Hôtel de Rambouillet. This subject is a continuation of research she conducted in her bachelor’s and master’s dissertations. After graduating in 2013 as a Master of Linguistics and Literature (French-Dutch), Astrid continued studying at Ghent University to obtain her teacher training degree. In 2014 her PhD proposal was accredited with a BOF scholarship.

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GEMS in portraits: Stijn Bussels

schrieck Our next interviewee is Stijn Bussels. After obtaining his MA in theatre studies at Ghent University, Stijn wrote a PhD that he reworked and published as The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodolpi, 2012). His postdoctoral research resulted in The Animated Image. Roman Theory on Naturalism, Vividness and Divine Power (Akademie Verlag/LUP, 2012). Stijn is currently affiliated to the University of Leiden as an assistant professor, and is also leading the ERC project Elevated Minds. The sublime in the public arts in seventeenth-century Paris and Amsterdam. He has published widely on theatre and spectacle in the early modern Netherlands.

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GEMS in portraits: Anne-Laure Van Bruaene

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For this first interview of the academic year, we chose to leave for the History Department to talk with professor Anne-Laure van Bruaene. Anne-Laure obtained her PhD in History with a dissertation on the chambers of rhetoric and urban culture in the Southern Netherlands (1400-1650). She now teaches (and has widely published on) early modern and urban history at Ghent University. She is part of the Belgian-Dutch interuniversity network “City and Society in the Low Countries (ca. 1200 – ca. 1850)”, a project which is now reaching its final research phase. In 2006 she was the laureate of the William Nelson Prize (Renaissance Society of America) for the best article in Renaissance Quarterly. One day back from her sabbatical, Anne-Laure sits lively at her desk when we enter to level our questions.

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GEMS in portraits: Britt Dams

MapaRIograndeThe third person we want to portray is Britt Dams. In February 2016, Britt obtained her doctoral degree with a dissertation on the description of Dutch Brazil (1624-1654). Currently, she is teaching a course on the history of Brazil at the Catholic University of Leuven. And in Ghent, Britt is still working as a French and Portuguese language instructor at the University Language Centre of Ghent University. Britt is a passionate storyteller, who knows just how to convince people to go travelling throughout Latin America.


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GEMS in portraits: Koenraad Jonckheere

RubensOur second portrait is that of Koenraad Jonckheere, professor of Art History at Ghent University. Koenraad has published widely on a variety of subjects, and is currently writing a book on the Quaestio concept. Next to his academic career, Koenraad is active as a curator for exhibitions and is the director of publications at the Centrum Rubenianum, a research institute for Flemish art in the 16th and 17th centuries.

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GEMS in portraits: Alexander Roose

montaignekoffieWe start off with Alexander Roose, professor of French Literature at Ghent University. Alexander is the author of La curiosité de Montaigne, which was published very recently (Champion 2015). Another book on Montaigne is already in the making: Alexander’s De vrolijke wijsheid. Zoeken, denken, en leven met Montaigne comes out this winter (Polis). Also, from January 2016 on, the monologue ‘Montaigne’ that Alexander has written, will be staged in theatres throughout Belgium and the Netherlands.


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