GEMS Seminar: Teodoro Katinis inspired by… Robert Klein

Wednesday, December 6th, 2-4 PM, Faculty Library Arts & Philosophy, Magnel-wing, Room ‘Freddy Mortier’

As Henri Zerner wrote in his introduction to Robert Klein’s collection of essays, “his real province as a scholar was that area where art, literature, and scientific or parascentific discourse meet with philosophy. He, if anyone, was a historian of ideas.”

During this GEMS seminar, Teodoro Katinis will present Robert Klein (1918-67), his work, and his unique approach to the cultural phenomena of the Italian Renaissance and beyond. We will examine Klein’s methodology by reading one of his most inspiring essay, L’imagination comme vêtement de l’âme chez Marsile Ficin et Giordano Bruno, in which he combines in a most original way his analysis of the sources with his own interpretation of the Renaissance.

Discussing some of his research outcomes, Katinis will show how Klein’s research topics and method can be inspiring for scholars from different fields.

For literary scholars, historians, philosophers and scholars interested in the Renaissance culture. For registration, please contact Kornee van der Haven: cornelis.vanderhaven@ugent.be

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The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. In the schedule on our website (gemsugent.wordpress.com) you will find two categories of these meetings. First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have two meetings with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work (Inspired by…). Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reservated rooms).

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GEMS Seminar: Atelier with Frans-Willem Korsten (Leiden University)

Friday 20 October, 3-5 PM, 110.028 (Blandijnberg 2, Gent)

During this Atelier, Frans-Willem Korsten will present his new book A Dutch Republican Baroque (Amsterdam UP). After a short introduction about this new publication and how it came into being, the author will be interviewed by Jürgen Pieters, to discuss some of the key issues raised in his thought-provoking book, after which the audience will be invited to join the discussion.

In his book, Frans-Willem Korsten shows how in Baroque forms of art of the Dutch Republic, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic.

GEMS-Seminars
The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. In the schedule on our website (gemsugent.wordpress.com) you will find two categories of these meetings. First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have two meetings with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work (Inspired by…).

Workshop with Professor Roland Greene on September 1st

We are pleased to announce a special workshop with Professor Roland Greene (Stanford, English Department) on Friday, September 1st. Professor Greene will be our guest on that day for an informal meeting with PhD students and other researchers to talk about ‘How Poetry Remakes the World: Elegy and Epithalamion in Renaissance Poetics’.

In the era of early modern humanism, classical lyric genres such as elegy and epithalamion not only follow received uses but become newly scripted as a negotiation between past and present. Concentrating on these two representative genres, this workshop is an experiment in a revived genre criticism that seeks to recover, in terms of indigenous to the period, how early modern poets and audiences conceived these and other genres at work in their world.

After a short introduction by Professor Greene we will have a discussion about the above mentioned issues. In advance we will read an article of Professor Greene about the early modern elegy and literature as a negation between past and present. Participants also are invited to shortly present their own research projects and questions they are currently dealing with in the second part of the workshop.

The workshop will take place on Friday, September 1st, 2-4 PM in the meeting room 110.060 (Blandijnberg, 1st Floor). You are most cordially invited to attend the workshop. Please confirm your attendance as soon as possible by sending an e-mail to Cornelis.vanderHaven@UGent.be .

Roland Greene is an expert on the early modern literatures of England, Latin Europe and the Trans-Atlantic world. His research pays particular attention to the history of poetry and poetics from the Renaissance to the present day. This year he serves as the president of the Modern Language Association. His theme for the 2016 Annual Convention is “Literature and its Publics: Past, Present, and Future”. His most recent book is Five Words: Critical Semantics in the Age of Shakespeare and Cervantes (Chicago, 2013). Five Words proposes an understanding of early modern culture through the changes embodied in five words or concepts over the sixteenth century: in English, bloodinvention language resistance, and world, and their counterparts in French, Italian, Spanish, and Portuguese. In the seminar he will be discussing this book next to the history and theory of the poetry of the Americas. The seminar is open to all PhD student

GEMS Seminar 7 June: Kornee van der Haven inspired by… Alan Sinfield

Wednesday, June 7th, 2-4 PM. Faculty Library Arts & Philosophy, Magnel-wing, Room ‘Freddy Mortier’

Inspired by cultural materialism and Marxist literary critique, the Shakespeare scholar Alain Sinfield has developed (together with his partner in crime Jonathan Dollimore) a theory of ‘dissident reading’ (or reading dissidence) in the course of the 1980-ies and 90-ies, with works like Political Shakespeare (1985) and Faultlines (1992). Especially in this last book he develops a reading strategy that allows him to detect ‘dissident potential’ in early modern literary texts by pointing to moments of conflict and contradiction that are produced within the social order as represented in a literary work. A lot of Sinfield’s later work deals with power structures in the work of Shakespeare in relation to gender and sexuality, like in his last book of 2006, with the revealing subtitle ‘unfinished business of cultural materialism’.

During this GEMS seminar Kornee van der Haven will reflect on some of Sinfield’s main concepts and reading strategies. By way of discussing some examples from his own research about early modern Dutch literature, he will also illustrate how Sinfield’s theory and methodology could provide an inspiring approach for scholars outside the specialized field of Shakespeare studies.

For literary scholars and for early modernists in particular, but also for (cultural) historians with an interest in discourse and textual analysis.

Registration is not required for GEMS-members. Non-members who wish to attend can sign-up with Kornee van der Haven: cornelis.vanderhaven@ugent.be. For this seminar we will read some chapters from Faultlines (1993) and Shakespeare, Authority, Sexuality (2006)

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GEMS SEMINARS

The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. There are categories of these meetings (see schedule on https://gemsugent.wordpress.com/category/seminars/). First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have three meetings this academic year with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work. The work of at least three important thinkers will be at the fore in the following sessions of Inspired by…: Michel de Certeau (by Prof. Steven Vanden Broecke on December 14th, 2016), Natalie Zemon Davis (by Prof. Alexander Roose on March 15th, 2017) and Alan Sinfield (by Prof. Kornee van der Haven on June 7th, 2017).

Seminar (Atelier) May 17th – Jetze Touber and Tim Vergeer

Wednesday, May 17th, 2017, 1-3 PM. Faculty Library Arts & Philosophy, Magnel-wing, Room “Freddy Mortier”

Jetze Touber – Body stones in early modern culture

In this presentation I will discuss my research project on the early modern perception of stones growing inside the human body: the kidneys, bladder and gall bladder. The project investigates how such body stones were marked as divine or natural, organic or inorganic, meaningful or senseless objects between the late sixteenth and the early eighteenth centuries, a period of profound changes both in medicine, natural philosophy, and religion.

Tim Vergeer – Passion without restraint: Emotions in Hispano-Dutch theatre in the seventeenth century

In the seventeenth century, Spanish imported theatre was especially popular. The question is why? Unlike plays by the established playwrights Vondel, Hooft and Bredero, the Spanish repertoire was interspersed with turbulent emotions, or so-called ‘woelingen’. Spanish plays meant a refuge from an emotional repressive regime: the neo-stoic philosophy of Justus Lipsius and his students.

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GEMS-members do not need to register for this meeting. Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reserved rooms).

Seminar (Atelier) April 19th – Youri Desplenter and Thomas Van der Goten

Wednesday, April 19th, 2017, 2-4 PM. Faculty Library Arts & Philosophy, Magnel-wing, Room “Freddy Mortier”

Youri Desplenter – Dutch Bible Translations in the Manuscript Era: Provenance and Structures of Dissemination

From the Middle Dutch manuscripts with bible translations, we learn that these texts were not just translated ‘somewhere’, and then distributed and copied. Almost every single time such a translation was ‘copied’, it was revised, often to such an extent that it becomes unclear if we have to consider the new ‘copy’ as a textual witness of the old version, or as a new translation. To understand this way of handing down Middle Dutch bible translations, we need to have insight into the dynamics which influenced these texts. In this presentation, I will try to establish which were the centers where biblical texts were translated, when these were active, and who in other words determined who used which translation. As these centers have been coming to the surface only recently, the overall patterns – unlike those of printed bible translations – have not been clear until now.

 Thomas Van der Goten – A Revisionist, Genre-Theoretical and Historical Study of the British Ode in the Long Eighteenth Century, 1680-1830

In his presentation, Thomas will explore some of the outcomes of his current research project, which aims to produce a revisionist, genre-theoretical study of the British ode in the eighteenth century. Promoting an inclusive, quantitative as well as qualitative examination of canonical and non-canonical odes, the project seeks to offer a nuanced account of the range and variety of the genre, its engagement with literary tradition, and its place in the proliferating market for printed poetry.

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GEMS-members do not need to register for this meeting. Colleagues with an interest in the early modern period who are not a member of GEMS can join us too (after a short notice to: cornelis.vanderhaven@ugent.be, because of the limited space in the reserved rooms).

GEMS Seminar: Alexander Roose inspired by… Natalie Zemon Davis

Wednesday March 15th, 2017, 14-16h. Faculty of Engineering and Architecture, J. Plateaustraat 22. Meeting room ‘Simon Stevin’.

Registration is not required for GEMS-members. Non-members who wish to attend can sign-up with Kornee van der Haven: cornelis.vanderhaven@ugent.be.

For this seminar we will read some chapters from The Return of Martin Guerre (if you would like to receive scans of the book, please contact Kornee).

Natalie Zemon Davis is a major Renaissance scholar and her book Return of Martin Guerre is an extraordinary reconstruction of an imposture in a sixteenth-century French village. Her essay epitomizes the micro-historical approach, but is also an analysis of the social conditions that produced this a bizarre affair.

GEMS SEMINARS

The GEMS Seminars provide the opportunity to members of our research group and other scholars with an interest in the early modern period to meet and discuss current research issues. There are categories of these meetings (see schedule on https://gemsugent.wordpress.com/category/seminars/). First there are the Ateliers during which GEMS-members or guests present their research projects, recent publications or ideas for future projects. Who is interested to spotlight his or her current or future research projects during one of these meetings are cordially invited to get in contact with the organization (cornelis.vanderhaven@ugent.be). Secondly we will have three meetings this academic year with specialists of the early modern period who will introduce to you the work of a famous scholar by whom they are inspired in their own scholarly work. The work of at least three important thinkers will be at the fore in the following sessions of Inspired by…: Michel de Certeau (by Prof. Steven Vanden Broecke on December 14th, 2016), Natalie Zemon Davis (by Prof. Alexander Roose on March 15th, 2017) and Alan Sinfield (by Prof. Kornee van der Haven on June 7th, 2017).

Seminar (Atelier) February 15th – Teodoro Katinis and Michiel Van Dam

Wednesday February 15th, 2017. 14-16h. Faculty Library Arts & Philosophy, Magnel-wing, Room ‘Freddy Mortier’.

Registration is not required for GEMS-members. Non-members who wish to attend can sign-up with Kornee van der Haven.

Michiel Van Dam – Governing through history: Foucault, political reason and historical knowledge

During the eighteenth century, speaking about the past of the polity was often inevitably political, as the political culture of the late ancien régime had as its premise the unaltered preservation and continuity of its ancient institutions throughout history. To interpret the past – for example, by distributing agency, authority and legitimacy across a set of historical actors –, was to interpret the present itself. As such, historians studying the politics of the early modern past have usually focused on reconstructing the ideological claims made by the intellectual combatants, which were hidden beneath the façade of the truthful historical narrative. What I wish to discuss in this presentation, is the possibility of approaching the political history of eighteenth-century historiography in a different manner, one where the focus is not so much put on the past’s function in the formation of political identity or authority-claims. More specifically, I want to ask the question whether we can approach historical discourse through the framework of governmentality. In his lectures at the Collège de France at the end of the 1970’s, Michel Foucault (1926-1984) introduced the concept of ‘governmentality’, where he redirected his attention towards historical practices of “conducting conduct”. Starting from the early modern ‘art of government’ as a representative of a third mechanism of power (alongside sovereignty and discipline), Foucault was able to put in focus an original field of study, embodied by the intricate relation between the rise of the early modern state, increasingly secularized concerns with popular social conduct, and the political rationality which shaped the state’s response to such conduct. Not much scholarly attention has been given to the question of which forms of knowledge – apart from those discussed by Foucault himself, such as the political-economic theories of the French physiocrates – lent itself to eighteenth-century governmental analyses of conduct. It is my intention to investigate the role played by the past in such governmental discourses. By discussing a number of sources which originated in the Austrian Netherlands (1715-1794), I hope to show the fruitfulness of this concept for the study of the early modern politics of the past.

Teodoro Katinis – The Italian Medical Literature in Early Modern Europe (c.1500-c.1700): Authors, Texts, Public

This project’s main aim is to accomplish the first comprehensive analysis of the most widespread Italian medical works published and translated from 16th to 17th century. Any genre of medical literature may play a role in this project whose overall objective is twofold: 1) to provide an analysis of the rhetorical strategies and language that convey the contents of the most popular Italian works; 2) to examine how these works addressed the needs of a very broad public of any social class, gender, and age, anticipating the modern approach to the communication of scientific knowledge. Although the plague was the most urgent concern in the early modern age, the texts on plague were not the only ones to change in language, method, and content. Furthermore, several physicians also wrote works to improve the vernacular as a language for scientific knowledge. In the 16th and 17th century the most original Italian authors published their works in Venice from where the they spread through Europe thanks to the translation in English, French, Spanish, German, Dutch, and Latin. Indeed, this project has also the ambition to recover the legacy of these works abroad.

Seminar (Inspired by…) December 14th – Steven Vanden Broecke inspired by… Michel de Certeau

Wednesday December 14th, 2016. 14-16h. Faculty Library Arts & Philosophy, Magnel-wing, Room ‘Freddy Mortier’.

Registration is not required for GEMS-members. Non-members who wish to attend can sign-up with Kornee van der Haven.

To be situated amongst the greatest thinkers of the twentieth century, Michel de Certeau started developing his cultural-historical philosophy out of a profound interest for historiography. Himself a historian, he never lost sight of the existential ambivalence of his profession. Reality as it ‘really happened’ is forever out of sight for Certeau, and is only accessible by means of interpretation. Even if the latter “carries more falseness than truth.” Interpretation, narrative, discourse – writing about history is making history. It is a fundamentally political act. The raw reality of the experience past or present, is illegible without a pre-existing frame of interpretation, submission is a prerequisite for knowledge. Like Foucault’s, Certeau’s philosophy revolves around the axiom that discourse is antecedent to individual perception.

During this GEMS seminar Certeau’s erudite and sometimes densely written essays will be elucidated by Steven Vanden Broecke. Steven will trace his fascination for the French Jesuit philosopher, whose work is as relevant today as when it was written. For historians and social scientists in general and for early modernists in particular, considering the substantial share of writings on the sixteenth- and seventeenth-century Christian mystics.

Seminar (Atelier) November 16th – Frederik Buylaert and Anne Laure Van Bruaene

Wednesday November 16th, 2016. Faculty Library Arts & Philosohpy, Magnel-wing, Room “Freddy Mortier”

Non-members who wish to attend can sign-up with Kornee van der Haven: cornelis.vanderhaven@ugent.be. GEMS-members don’t have to register.

Frederik Buylaert: Lordship and the Rise of States in Western Europe, 1300-1600

This project pursues a new interpretation of state formation in Western Europe between 1300 and 1600. This period is considered as the key phase in the genesis of the modern state, as various polities now centralized fiscal and military resources under their command. While there is debate whether this was primarily a top-down process carried by princes, or a bottom-up process carried by popular representation, scholars agree that state building was exclusively a process of centralization. This assumption must be questioned, as recent studies have raised awkward questions that cannot be answered by the current paradigm. The research hypothesis is that the emerging states of Western Europe could only acquire sufficient support among established elites if they also decentralized much of their legal authority through a process in which princes created a growing number of privately owned seigneuries as “states-within-states” for the benefit of elites who in return contributed to state building. This project will study the interplay between states and seigneurial elites in five regions – Flanders, Guelders, Normandy, Languedoc and Warwickshire – to test whether fiscal and military centralization was facilitated by a progressively confederal organization of government. Together, the case studies cover four key variables that shaped the relations between princes and power elites in different combinations all over Europe. It concerns different trajectories in 1) state formation, 2) urbanization, 3) the socio-economic organization of rural society and 4) ideological dissent. As a result, the comparisons between the case studies will yield an analytical framework to chart and to explain path-dependency. Inversely, this research project is also interested in exploring the social context of this process, through a focused study of what lordship meant to contemporaries. For this purpose, special attention is paid to literary sources in which lordship figures large in issues of self-representation.

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Anne-Laure Van Bruaene: Golden Ages. City and Society in the Low Countries, 1100-1600

Between 1100 and 1600 the Low Countries were amongst the most urbanized regions of Europe. Amsterdam, Antwerp, Bruges, Brussels, Tournai, Ghent and many other cities developed into vibrant economic and cultural centers. The urban “middling groups” played a central role: these small producers and shopkeepers, organized in craft guilds, turned the Low Countries into a unique region. The new synthesis “Golden Ages”, written by a number of Belgian specialists and based on more than 25 years of intensive research, analyzes the characteristics of this urban society from different perspectives: economy, social life, politics, civic religion, urban space, material culture and knowledge. The focus is not on one city but on the whole network of large cities and small towns.